New York Film Critics Circle Award for Best Foreign Film, New York Film Critics Circle Award for Best Foreign Language Film, Women on the Verge of a Nervous Breakdown, https://en.wikipedia.org/w/index.php?title=Umberto_D.&oldid=997939224, Films with screenplays by Cesare Zavattini, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Ileana Simova as the woman in Umberto's room, Memmo Carotenuto as a patient at the hospital, Alberto Albari Barbieri as Antonia's friend, Vittorio De Sica was nominated for the Grand Prix –, This page was last edited on 3 January 2021, at 00:02. "Woof Woof! Yet, this remained his favourite film precisely because it … Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. Umberto D, neorealism July 23, 2003 Doug Cummings Uncategorized Movies compliment and critique the 20th century in such a way that one can almost trace world history through the aesthetic development of the cinema alone. Get a sneak peek of the new version of this page. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Read reviews for the movie Umberto D.. Many of the scenes, even the ones that do not necessarily advance the plot, are hypnotically beautiful in … Umberto Domenico Ferrari, an elderly and retired civil servant, is desperately trying to maintain a decent standard of living on a rapidly dwindling state pension. View production, box office, & company info. Flike becomes frightened, wriggles free and flees. The movie was included in TIME magazine's "All-TIME 100 Movies" in 2005. It is also one of my favorite movies ever. Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship. Feeling ill, Umberto gets himself admitted to a hospital; it turns out to be tonsillitis, and he is discharged after a few days. In the final scene of Umberto D., Vittorio De Sica portrays a concrete sense of the despair and depression that many Italian people faced during a time of hostilities between nations. Ratings, review and more on Cinafilm.com Not Yet Rated 1 hr 31 min Nov 7th, 1952 Drama. Particularly today, when most movies are devised and crafted only with the seemingly bottomless-pocketed 12-to-25 demographic in mind, a sensitive but scalding shower like Umberto D. (reputed to have been Ingmar Bergman's favorite film at one point) can seem like an act of rectitude, a furious call from the pulpit of pure humanism. You must be a registered user to use the IMDb rating plugin. Was this review helpful to you? Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. Vittorio De sica’s film Umberto D, is a neorealist film released in 1952. Alone except for his dog, Flike, Umberto (Carlo Battisti) struggles to... Read more . Vittorio De Sica 's "Umberto D" (1952) is the story of the old man's struggle to keep from falling from poverty into shame. Umberto D. subtitles. Umberto D. This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make ends meet during Italy’s postwar economic recovery. Synopsis When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. A waifish prostitute wanders the streets of Rome looking for true love but finds only heartbreak. Fandango FANALERT® Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. At first Flike warily hides, but eventually Umberto coaxes Flike out to play with a pine cone. But "Umberto D" is never dumbed down into sappiness and clichéd corniness. Shot on location with a cast of nonprofessional actors, Vittorio De Sicaâs neorealist masterpiece follows Umberto D., an elderly pensioner, as he struggles to make ends meet during Italyâs postwar economic boom. While some scenes with Umberto and his dog Flike are sentimental, never is it "too" sentimental. Take, for example, a beautiful scene where Umberto finally needs to beg for money but cannot physically bring himself to do it. The film was directed by Francis Huster, co-written by Huster and Murielle Magellan, and stars Jean-Paul Belmondo in his first role in seven years, alongside Hafsia Herzi, Julika Jenkins and Francis Huster among others. Is Umberto D. any good? Umberto D. (1952) TMDb Score. Meanwhile, the sympathetic maid confides in Umberto that she has her own problems. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. It works very well because of its sharp observations on loneliness and poignant gestures. Umberto D. is a film directed by Vittorio De Sica with Carlo Battisti, Maria Pia Casilio, Lina Gennari, Memmo Carotenuto, Alberto Albani Barbieri. An unhappily married couple attempts to find direction and insight while vacationing in Naples. This January, put your resolutions on hold and dive into some great streaming picks. Umberto D. is one of the enduring masterpieces of Italian neorealism, considered by many to be one of the greatest films ever made. Les Adams . Keep track of everything you watch; tell your friends. He and his son set out to find it. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. De Sica’s Umberto D. is widely considered a masterwork of this principled movement, an elegant if bleak film that stands with Bergman’s Wild Strawberries as one of the great portraits of old age and loneliness ever brought to the screen. Police disperse an organized street demonstration of elderly men demanding a raise in their meager pensions. During the Nazi occupation of Rome in 1944, the Resistance leader, Giorgio Manfredi, is chased by the Nazis as he seeks refuge and a way to escape. Throughout the movie, we see Umberto struggle to find money to pay rent to his horrible landlady, love his dog Flike, and deal with the loneliness and disillusionment of the postwar era. Directed by Vittorio De Sica. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. Finally in desperation, Umberto takes the dog in his arms and walks on to a railway track as a speeding train approaches. Umberto D. is a film of constant desolation, a stalwart example of Neorealist cinema, and a depressive film whose recommendation depends on the benefit of the emotions it successfully elicits. This movie reviews and ratings at TributeMovies.com is out of 5 Stars. One of the marchers is Umberto D. Ferrari, a retired government worker. Maria Pia-Casilio, who plays the maid, is just as good as evoking life's loneliness and quiet desperation. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. Still, there's no denying that Umberto D. is a litmus test of any viewer's susceptibility to sentiment in film: if this movie doesn't melt your heart, none ever will. It works very well because of its sharp observations on loneliness and poignant gestures. Umberto D. (English Subtitled) (80) IMDb 8.2 1h 28min 1952 18+ This neorealist masterpiece by Vittorio De Sica follows an elderly pensioner as he strives to make … Carlo Battisti, despite having never acted before, is wonderful as the titular character; his face is a fascinating blend of stubborn dignity and weariness of life. Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. A married couple learns that it is possible to build an illegal house in the outskirts of Rome, as long as it is erected in one single night and has a roof. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear."[4]. Umberto rushes to the city pound, and is relieved to find his dog. Written by The landlady is getting married. But there is a tenderness in De Sica’s film that the colder Bergman cannot manage. Many of the scenes, even the ones that do not necessarily advance the plot, are hypnotically beautiful in their simplicity. However, when he makes a veiled plea for a loan to one of his friends who has a job, the friend refuses to listen. Umberto D. 1952. Highly, highly recommended. An elderly man and his dog struggle to survive on his government pension in Rome. Umberto runs after him. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. [1] The film's sets were designed by Virgilio Marchi. Year: 1952. Umberto D. is a 1952 Italian neorealist film directed by Vittorio De Sica. The supporting cast is also very strong.One of the very few criticisms I have heard of this film is that it is too sentimental and borderline sappy. 80. Umberto is an aging former civil servant, now retired on his scant government pension. He packs his belongings, and leaves the apartment. The maid was taking care of his dog, Flike, but a door was left open and Flike ran away. His landlady (Lina Gennari) is evicting him, and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. In post-war Italy, a working-class man's bicycle is stolen. An open hearted and unrelentingly energetic orphan struggles to make the best out of his life on the streets of Milan. The film is full of these small gestures that quietly emphasize the desperate loneliness and poignancy of Umberto's situation.The acting in this film is absolutely superb. Despite Umberto's attempt to abandon Flike, the dog finds him hiding under a footbridge. (If you don't cry in this movie, you need to have your heart professionally de-thawed.) His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and ... Montgomery Clift movies: 12 greatest films, ranked worst to best, include ‘A Place in the Sun,’ ‘From Here to Eternity’, NYC Weekend Watch: International Melodrama, ‘L’eclisse’ & More, Watch: Vittorio Storaro and Ed Lachman’s 70-Minute Cinematography Master Class, 35 Films from the Golden Age of Italian Cinema. Subsequently, they saw Umberto D. as too critical of the pride they were trying to engender in themselves. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Want to share IMDb's rating on your own site? A young German boy faces the problems of the tough life in the immediate post WWII Berlin. De Sica said that the film was quite unpopular in Italy because it was in a period after WWII when the country was just getting back on its feet. She threatens to evict Ferrari at the end of the month if he cannot pay the overdue rent: fifteen thousand lire. Still homeless and nearly penniless, Umberto scampers down the park lane with his dog. 10/10. DeSica knows how far he can push his film without making it sappy, and he wisely shows it as it is. Umberto D. (1952) Movie Reviews - Cinafilm has 254 reviews of Umberto D. from movie critics and film fans. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear. Umberto's room has a gaping hole in the wall; the maid tells him it is to become part of an enlarged living room. Rent Umberto D. (1952) starring Carlo Battisti and Maria-Pia Casilio on DVD and Blu-ray. The gestures evoke powerful feelings without necessitating dialogue. His landlady (Lina Gennari) is evicting him, and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. Indeed, any movie about an old man and his faithful -- and amazingly well-trained -- dog is bound to come across as cute or cloying at certain points. 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